this week's post comes to us courtesy of stuart ellis, proprietor of the amazing radiodiffusion internasionaal, wherein he chronicles the global spread of electrified pop music from the 1960s & 70s. he also hosts an fm broadcast edition of the site on radio koug, vancouver.
band: เพิ่ม คล้ายบรรเลง + วงดนตรี สากลผสม มโหรี (phoem khlaibanleng & his international mixed mahori orchestra)
album: แชมป์เท้าไฟ ไทยเดิมประยุกต์ ชุด 2 (thai modernized music for dancing, vol. 2)
tracklist:
01. มอญดูดาว (mon du dao)
02. ลาวลำปาง (lao lampang)
03. พม่ารำวง (phama ramwong)
04. อิเหนา (inao)
05. มอญซ่อนผ้า (mon son pha)
06. ตามองตา (ta mong ta)
07. ลาวชมดง (lao chom dong)
08. บังใบ (bangbai)
09. ลาวคำหอม (lao kham hom)
10. ลาวครวญ (lao khruan)
here's what stuart has to say:
"not too long after i had picked up the first two of the "thai beat a go go" discs, i started searching high and low for "shadow music" - although I had no idea at the time that was what it was called. i immediately fell in love with the wild mix of surf guitar and traditional percussion, resulting in a sound unlike any i had heard before.
this record was the first record from thailand that i ever bought. i was hoping that it would sound like johnny guitar or payong mukda (also known as pocket music / son of p.m.)... but what i got was something much more bizarre. more like xavier cugat goes gamelan. it almost sounds like there are two bands in the studio - one your typical latin-esque jazz band, the other some kind of gamelan orchestra - and they are fighting over who plays what. like some kind of battle of the bands gone horribly awry, yet in all of the right ways.
phoem khlaibanleng & his international mixed mahori orchestra were part of the suntaraphon collective - which was a state sponsored group of artists and musicians. during the vietnam war, the u.s.-backed field marshal thanom kittikachorn encouraged westernization throughout every sector of life. one of these sectors was ballroom dancing - with orchestras supplied by the government public relations department. eventually, due to their popularity, these musicians began performing and recording outside of the state sponsored system and to the top of the charts.
if anyone out there has volume 1, please contact me."
band: เพิ่ม คล้ายบรรเลง + วงดนตรี สากลผสม มโหรี (phoem khlaibanleng & his international mixed mahori orchestra)
album: แชมป์เท้าไฟ ไทยเดิมประยุกต์ ชุด 2 (thai modernized music for dancing, vol. 2)
tracklist:
01. มอญดูดาว (mon du dao)
02. ลาวลำปาง (lao lampang)
03. พม่ารำวง (phama ramwong)
04. อิเหนา (inao)
05. มอญซ่อนผ้า (mon son pha)
06. ตามองตา (ta mong ta)
07. ลาวชมดง (lao chom dong)
08. บังใบ (bangbai)
09. ลาวคำหอม (lao kham hom)
10. ลาวครวญ (lao khruan)
here's what stuart has to say:
"not too long after i had picked up the first two of the "thai beat a go go" discs, i started searching high and low for "shadow music" - although I had no idea at the time that was what it was called. i immediately fell in love with the wild mix of surf guitar and traditional percussion, resulting in a sound unlike any i had heard before.
this record was the first record from thailand that i ever bought. i was hoping that it would sound like johnny guitar or payong mukda (also known as pocket music / son of p.m.)... but what i got was something much more bizarre. more like xavier cugat goes gamelan. it almost sounds like there are two bands in the studio - one your typical latin-esque jazz band, the other some kind of gamelan orchestra - and they are fighting over who plays what. like some kind of battle of the bands gone horribly awry, yet in all of the right ways.
phoem khlaibanleng & his international mixed mahori orchestra were part of the suntaraphon collective - which was a state sponsored group of artists and musicians. during the vietnam war, the u.s.-backed field marshal thanom kittikachorn encouraged westernization throughout every sector of life. one of these sectors was ballroom dancing - with orchestras supplied by the government public relations department. eventually, due to their popularity, these musicians began performing and recording outside of the state sponsored system and to the top of the charts.
if anyone out there has volume 1, please contact me."
